#i'm sorry i hope this makes sense

[ekko-idk]

Laios: people are hard to understand... There's way too many social rules to follow, popular conversation topics, eye contact, etc. They also rarely say what they mean and often they say the opposite, so much so that misunderstandings happen regularly.. Monsters are predictable animals with a set of rules and precautions you can follow to either tame or defeat them. if you know what to do, they're very easy to deal with!

Kabru: monsters are wild creatures with jerky unpredictable movements.. Their attitude can change in a second and if you don't have an insane amount of knowledge about them they can be, and often are, very dangerous. Human cultures often have strict and easy to follow rules that depend on certain communication strategies that are somewhat agreed upon universally. People no matter of background also react the same to many things (smiling, frowning, pupil dilation, etc.). if you know what to do, they're very easy to deal with!

[mangostarjam]

declarations (alternate version) — kaiju no. 8, hoshina soshiro x f!reader, use of foods as nicknames, childhood best friends dynamic, reader wears a dress and heels, oral (f!receiving), 3k words — the first bit is the same as the original but it does deviate

"Why do I need to wear a dress?"

Hoshina Soshiro glances up from where he's lounging on your bed. You've already pulled on the dress, of course, and he watches with probably way too much interest as you tug and adjust the way it drapes along your body. It's pretty. It fits perfectly, though you have no idea when Soshiro learned your measurements enough to show up at your door with such a gorgeous dress hanging from his fingers. Maybe he got them from Okonogi-chan?

"You'll be walking 'round with me and the Captain, egg tart, so you've gotta look the part," he says idly, though you can feel the burn of his stare along the newly exposed skin of your back. "And don't forget the heels!"

You glance at the cute, strappy heels he left by your mirror and frown. "If I wear those, I'll be taller than you, Soshiro-kun."

"Aw, that doesn't matter," Soshiro says. He sits up and you look away from the flex of his incredibly defined abdominal muscles beneath his compression shirt, which he apparently wears all the time, even under his formal dress uniform with all its tassels and buttons.

God. Embarrassing. You really need to get your staring issue under control.

"I can fight whoever looks at ya."

"Wha— ?" Heat sears across your face as you splutter and spin around to face him. The skirt of your dress twirls with the movement and you catch his gaze snapping down to your thighs. "Why would you need to fight anyone?"

"Hm?" You take a step back as he gets up and stalks over to you, holding your breath subconsciously as he kneels at your feet and takes one of the heels in hand. Your room suddenly feels warmer, the air hushed, as if the two of you are the only ones who exist in the entire universe. Soshiro chuckles quietly and shoots you a grin that makes your knees feel wobbly.

"Soshiro-kun?"

"Well, 'course I'm gonna fight for ya, apricot," Soshiro says. You flinch as he reaches out to grip your calf, the rough callouses on his fingers scraping lightly as he lifts your leg and slides your foot into the shoe. "You're my best friend, yeah?"

And I'm just a simple man in love goes unspoken as he carefully ties the silk around your ankle to keep the shoe in place. You wobble a bit at the balance and he glances up from beneath his violet bangs. "Hold onto my shoulders," he says quietly, reaching for your other leg. "Don't worry, I've got you."

"S-Soshiro-kun, I can put these on myself," you mumble, heat flaring up your spine at the careful pressure of his fingers on your ankle. He lifts your leg and you grab abruptly at his shoulders, fingers digging into the thick muscle there as you regain your footing with his support.

Soshiro lets out a breath. "I know," he says simply. "But I wanna do it."

Is this what men do when they're in love? You wouldn't know — the only man in your life you've ever cared about is right in front of you, and he's refused to elaborate on his strange statement no matter how many times you've asked. You have a feeling he means it, though.

Like, really means it. You love Soshiro — of course you do. You've always loved him. But lately it's felt… different.

Still comfortable. He's still your biggest supporter and vice versa, and he still knows exactly how to cheer you up and make you laugh. You know all his ticks and tells, and you take great pride in taking care of him while he's looking out for everyone else.

But at the same time… it's uncomfortable.

These little touches — they're new. The way his gaze lingers on your body is also new. Or… maybe you've just never noticed before. It's not a bad thing. But it makes you feel strange and fluttery inside and you catch yourself daydreaming about what it'd be like to actually get a hickey from Soshiro. Your best friend.

You stare down at the top of his head and try to repress a shiver as he skims up your legs to where your skirt rests against your thighs. His touch leaves behind a trail of warmth that burrows deep. "Um— ?"

"Ya look real pretty like this," he says. You're still holding onto his shoulders as he rises from his crouch, your entire body hot and hyperaware of how close he's standing once he straightens. "I could really just eat ya up." The smirk on his face makes your heart thump painfully in your chest, but he doesn't give you a chance to question it before he's grabbing your hands and spinning you around in a little twirl.

"S-Soshiro!"

You let out a little yelp as the room suddenly turns sideways, your center of gravity abruptly gone as Soshiro scoops you off your feet with one strong arm behind your back and the other beneath your knees. You throw your arms around his neck in a desperate move to keep from falling, though you know he'd never drop you.

Soshiro looks down at you with a glint in his eye. "Maybe I will."

"You'll… what?" you ask, breathless. He looks… hungry. Something about that look makes your stomach clench. "Soshiro-kun?"

"As your best friend, I think I've gotta do a lil inspection," Soshiro says brightly. He carries you over to your bed effortlessly, laying you down with a care that makes you burn up in a mixture of embarrassment and want.

You want… something. Soshiro gently detangles your hands from behind his neck and brings them up above your shoulders, gripping both wrists in one of his hands. His other hand is planted by your shoulder to keep from squishing you, though he keeps his balance with a knee between your thighs. "What…?"

"Just checking," he murmurs, leaning down to brush his nose against yours. You can feel his breaths on your lips and you strain a little against his hold, wondering if he can feel your pulse beating rabbit-fast in your wrists. His hand is trembling, though you can't imagine it's from the strain of holding himself up. "Can I?"

What… what is he asking?

Does it matter? It's Soshiro —

"Yeah," you breathe. "Go ahead."

His lips brush yours in a whisper, an exhaled sigh, a pressure as light as a butterfly. You make a funny sound and he grins as he skips down to your neck, pressing a firmer kiss there at your pulse.

"You do taste good, chestnut," he mumbles, just before you feel the sharp nip of his canines pinching your skin. You yelp in surprise and he chuckles, brushing his lips across the spot in apology.

"What did I say about food nicknames," you manage to gasp out, blinking blearily as he rises back up to face you. The tops of his ears and the arch of his cheekbones are painted a charming pink, but his eyes are serious as he meets your gaze.

"Are you good?" Soshiro asks.

Are you? You do feel good — better than good. The way your heart is racing would probably raise some eyebrows in a medical ward and your brain feels like mush, but. You've had your share of meaningless crushes — puppy love, infatuation — but none of it ever really mattered because you've always had Soshiro.

None of it ever felt like this.

Oh.

"I'm good," you whisper.

"And this is okay?" he asks. "I'm not — I told ya I don't mess around when it comes to you."

"I'm not messing around either," you grin up at him, feeling suddenly buoyant as the pieces click into place. "I'm yours, Soshiro."

Your best friend looks at you for a moment, but whatever he sees in your expression makes him laugh — a rough burst of sound punched out of his chest — before he leans down to kiss you again.

You can feel him smiling into the kiss.

It's a little awkward — he bumps your nose and you can't keep from grinning, either, so the kiss turns into several kisses, the smooth press of his lips against yours sending heat curling through your veins as his kisses get deeper, hungrier. He tilts his head and finally lets go of your wrists to grasp your chin, moving you to get the angle just right, though his careful intentions go up in smoke when you reach up to tangle your fingers into his hair and tug.

He pulls back with a gasp, eyes wide and pupils blown, panting as if he's just finished fighting off a kaiju. His voice cracks as he murmurs your name.

"Yeah?" you lean up to brush your lips against his jaw, admiring the strain of his neck as he huffs. "You're so pretty, Soshiro-kun."

It takes a second, but Soshiro's next breath is a sharp inhale as he presses his body against yours, pinning you to the mattress.

Then he whines.

Oh, god.

The sound seems to startle both of you, but he recovers first, dipping down to kiss you senseless as the ache in your core intensifies. He's solid and warm and heavy on top of you, his hands burning along your arms and sides and skimming over the neckline of your dress before he seems to settle on gripping your hips as he bullies his way between your thighs. The gasp you let out is loud in the thick air of your room, but the groan he lets out when you squirm against the solid, unyielding length of him is even louder.

Soshiro moves back to pressing hard kisses to your neck and exposed shoulders, panting hard as you whimper with every stinging nip of his teeth. "You're gorgeous," he murmurs, "you're so fucking perfect, I can't —"

"S-Soshiro," you whine, wiggling your hips in an effort to chase the electric sparks of pleasure rising with every sharp, aborted thrust of his hips. "What's — why're you —"

"I'm tryin' not to cum in my pants," he grunts, fingers digging hard into your waist to still you. You sob at the loss of friction and Soshiro huffs. "Fuckin' hell — you're so — but I can't be walking 'round the party all dirty."

Your eyes snap open at the reminder and you shove at the shoulders you were clinging to for dear life a moment ago. "The party!"

"Yeah, the party," Soshiro laughs, grabbing one of your hands. He presses a kiss to the leaping pulse in your wrist. "Didja forget, pumpkin?"

The tender affection somehow makes you warm, even as his hips grind slowly against your core to make you burn. Your legs, which you hadn't even registered moving, drop to the sides, sending your dress to pool further up your thighs and exposing the thin fabric of your panties. Soshiro glances down at the movement, but you can only see the way his lashes flutter at the sight before he's grinding his clothed cock against you again.

A muscle in his sharp jaw ticks as he glances back up at you. "Ya look real good," he says, "and I'm tryin' to do this right, but —"

One thing about being best friends for your whole lives means you can tell when he's holding something back.

One thing about becoming lovers with your best friend is that now you can see he's been holding back from this.

"You can't go into the party like this," you point out. Soshiro laughs, a strangled sound.

"We're not havin' a quickie as our first time," he says firmly. His expression lights up. "But I did promise an inspection, didn't I?"

"What're you — Soshiro!"

He moves too quickly for you to react, pressing another hard kiss to your lips — his tongue dipping in to draw out a startled moan — before he's suddenly kneeling at the edge of the bed, yanking you closer by your legs spread on either side of him. "The heels look nice," he says conversationally, dragging his hands up your calves.

You suddenly feel over-sensitive, your nerve endings straining into his touch as he leans forward to drag his nose along the inside of your thigh. "Ah— Soshiro, that tickles!"

"They make your legs look good," he continues, as if you hadn't spoken. You raise up on your elbows to glare down at him as he brushes his lips featherlight against your thigh. Soshiro smirks and turns his head to nip the skin there, kissing and sucking along your thigh as he slings your leg over his shoulder for easier access.

Oh, shit.

The whine you let out would be embarrassing except that Soshiro mutters a curse and shoots you a look that makes your core clench tight. You reach for his hands, desperate for some leverage or an anchor, and he lets you take one of his hands but uses the other to hike your other leg over his shoulder.

"This is cute," Soshiro remarks, looking intently at your panties and the damp spot clearly evident even in the dim light. "Were they expensive?"

What is he asking? Why would it matter when the only thing you can focus on is the incessant ache in your core, inches away from his touch, heartbreakingly empty and wet and hot —

Soshiro rips your panties with one hand and tosses the flimsy scraps of cloth aside, exposing your fluttering core to his hungry gaze. You shift desperately, torn between wanting and wanting to hide, but before you can voice a request Soshiro dips in and licks you.

"Oh, fuck —" you moan, collapsing back on the bed as your hips buck up into the friction. Soshiro licks at you sloppily, digging his tongue into every inch and fold of you as he groans.

"All this for me?" he murmurs, catching your eye as you clutch desperately at the blankets. "Only for me, right, melon drop?"

You nod shakily as he gently kisses the throbbing bundle of nerves at your core. "I'm yours, Soshiro," you gasp. The waves of pleasure building in your body are frightening, your heart pounding hard, but you can't help tilting your hips closer to him. "Please, Soshiro — I… I can't —"

"Hah — fuck you," Soshiro groans. "Hold on to me."

You barely get a moment to register his command before he dives back in, targeting your clit and sucking on it as you sob with pleasure. White hot electricity races through your veins as you scrabble desperately for something to hold on to, grabbing at the purple strands of his hair and rocking your hips as he devours you.

You feel the burning touch of his finger as he drags it along your lower lips, making you suddenly hyper aware of how empty you feel. Your insides clench futilely, your fingers twisting into his hair painfully as you moan and beg. "Soshiro, Soshiro please —"

You can hear the squelch of your wetness as he finally slides his finger inside you, poking and prodding your walls until he presses against something that makes you see stars. Your back bows off the bed as you pant and squirm.

"There ya go," he grunts, pulling back to fix you with a burning red stare. "Let go for me, honey. I've got you."

You clench around his finger as he adds another, the intrusion unfamiliar but welcome, pleasure spiraling and spiking through you as he flicks his thumb over your clit and presses against that spot just right. It's — it's too much — too overwhelming —

Soshiro sucks your clit between his lips again and you shoot over the edge with a shout.

"Good fucking girl," Soshiro murmurs. You can barely hear him beyond the fuzzy aftershocks, but the words bleed warmth into your face as you melt into the mattress. He carefully licks you clean, chuckling when you whine at the overstimulation.

"Soshiro?"

"Yeah?" He climbs back over you, the lower half of his face shiny with wetness. It should be gross, but you're so boneless you can't even bring yourself to care as he leans down to kiss you, tongue tangling with yours as you moan at the taste of yourself.

"Where'd you… where'd you learn how to do that?" you mumble tiredly.

"In my dreams," Soshiro says, laughing when you pout at him. "I've been dreaming 'bout you for ages, y'know. But most of the technical stuff was from locker talk with the guys."

You nod and glance down, but the angle is awkward and you can't quite see —

"Ah, don't worry 'bout me," Soshiro ducks his head and you stare at the pink flush rising up his neck. "I'm gonna hafta meet you at the ballroom, hazelnut. I need a change of pants."

"Oh," you nod, wide eyed and blushing as he snorts. "Sorry?"

"Don't apologize for bein' a dream come true," he says. "But we should really go soon, or the captain'll have both our heads."

Soshiro helps you stand on wobbly legs as you regain your balance on heels, kneeling to smooth your dress back down your thighs. "Wait — what about my panties?"

He tilts his head thoughtfully. "Right, I'll help ya with that."

Soshiro's touch is warm this time, not burning hot, and the kisses he presses along your thighs are more ticklish than anything. He grins up at you as you giggle. "Will we tell Captain Ashiro after the party tonight?"

He rises and his gaze goes to your neck and shoulders, exposed by the straps of your dress. Something sharp and pleased settles in his smile. "I don't think we'll need to worry 'bout it. Any fool who gets close to ya when you're marked up all pretty for me is askin' for trouble."

… What?

You look past him to the mirror and gasp. All those little bites from earlier are blooming pink and purple beneath your skin. Soshiro laughs, swoops forward to kiss your scolding right out of your mouth, and pulls away only after you've melted back into his arms, pliant and breathless.

"You passed inspection, by the way," Soshiro adds, smiling a little lopsided and fond. "Congratulations on becoming the Third Division Vice Captain's fiancée."

Your eyes widen. "Fiancée?"

"Oh, too soon? We can start off with 'girlfriend' first."

"Soshiro…"

"What? A guy's got dreams, alright?"

You laugh. "You didn't even propose!"

"Alright, fine," he kisses you again and you beam, delight and happiness swooping through you at how easy it all feels. "Keep that third finger on your left hand empty for me, apricot."

"It's a promise."

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be. [Blank Scripts AU]

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)]

[There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[revenantghost]

Oh my god, it got worse?!

So to summarize, so far (from what I can remember):

The gold on the covers peels off. They say this affects a small number of copies, but I haven't seen one without a "distressed" look, and Dark Horse has said that very common look is not intentional.

The translation was not updated, which they never promised, so whatever. But there are twenty-year-old, well-known typos and obvious mistranslations. They didn't even proofread it despite adding sound effects and a year of delays. And this book retails at $50 USD.

And on this awful printing note, there are a few copies I've seen floating around with severe binding issues, like the faux leather peeling off.

Friendly reminder that if you are able, you can let Dark Horse know you're disappointed. Leave reviews and upvote ones you agree with. Reply to/@ them on social media and be loud. If you're willing, cancel and/or return orders. It's all about publicity and financial gain in publishing. If they don't get that, they will have to change something.

Trigun doesn't deserve this.

[elizabeth-mitchells]

so. i'm still thinking and taking too seriously the different possibilities on "Why the Wilderness™ killed Laura Lee?" and especially thinking about the Wilderness killing Laura Lee specifically as a way to punish/hurt/control Lottie

first of all, obviously, this is all going along with the assumption that the Wilderness™ is ✨something✨ real and purposeful and powerful, etc etc

Now, Lottie and Laura Lee were holding hands as the plane went down right? they had a connection before ever setting foot there. fun fact that i want to include here: both of them voted against going down to the lake btw (like jackie, resisting going deeper into the wilderness). but then they reach the cabin! and Lottie starts acting weird, she stays behind, it's her first moment of isolation (i think). she starts to "feel" bad things. she ran out of her medication of course but we can assume it's the beginning of her "hearing" the wilderness

if we keep going along this route, you could say Lottie got officially "chosen" by the wilderness during the seance, and who interrupts it and breaks her out of it? Laura Lee! maybe the beginning of the Wilderness' beef with our girl Laura Lee

if we accept what Lottie said in the s2 finale to be true and the Wilderness chose her because she was the only one that could listen to it, it would make sense that the Wilderness needed her, and it needed her alone, all to itself, believing and trusting only what she heard and saw from the Wilderness

when Lottie goes to Laura Lee to explain away the visions, when she goes along with Laura Lee's baptism and idea that the visions come from God, it goes against the Wilderness' wishes. you could even say that Lottie's vision of Laura Lee's death during the baptism was the Wilderness giving her a final warning, an opportunity. maybe if Lottie had wholeheartedly believed in her visions back then instead of in Laura Lee's words, she would have done something to stop her from getting on the plane

the Wilderness killing Laura Lee was It proving its power to Lottie, telling her to never doubt it again

and, by killing Laura Lee, the Wilderness got rid of Lottie's closest friend, strongest connection, and last tether to sanity and civilization and the group. it had Lottie isolated from the group and free to manipulate and share the messages it wanted, without a translator that believed in other gods

[iamthedancing]

warning to to my fellow photosensitives: last night's game changer episode (deja vu) is amazing but is also full of flashing lights

please be careful and "watch" by just listening to the audio/give this one a skip/take care in whatever way makes the most sense for you and your situation!

[artsying-ifer]

so a few days ago I made an off hand joke on main about making a hal 9000 fancam and it turns out no one is more committed to the bit than I am because here it is <3

[canines-crown]

Okay wait a second. I'm curious about something 🤨

Fellow alterhumans, is your kintype's gender the same as yours??

Because my dog theriotype is a MAN. And I am NOT a man!! My other theriotypes are all female, which fits me much better. Uhm... Anyone esle???

[arscorpii]

little observations of episode 16 of revolutionary girl utena: cowbell of happiness

(these are just some thoughts i had. i tried to organise and articulate the ideas the best i could.)

(all dialogues are from the empty movement website)

this is a nanami-centric episode. it begins with the regular fairy-tale-like scene of utena meeting prince dios when she was younger.

this is an interesting screenshot from episode 16:

the dialogue for this scene (as in, for this specific shot):

as anyone can see, utena wasn't wearing her red socks here (she wore the red socks even when she decided to wear the girl's uniform in episode 12 [screenshots from episode 12 below, for clarity]). thus, this shot caught my eye.

another shot where utena wasn't wearing her red socks in episode 16:

the dialogue for this scene (as in, for this specific shot):

at first, i surmised that these were just animation errors because these shots lasted for only several seconds. however, upon watching and rewatching several times, the only times utena didn't wear her red socks were when she's directly confronting nanami about the cowbell. utena was the only person openly calling out nanami about it, as opposed to others who either ridiculed, ignored, or tiptoed around the matter. tsuwabuki tried saying something about the cowbell to nanami, too, but was quickly shot down by her:

generally, not wearing socks while wearing shoes can be somewhat uncomfortable, especially for long periods. it's much worse when one walks or runs while wearing shoes without socks, as this could cause skin irritations, foot blisters, etc.

when people buy certain types of shoes (or any, i think), it's common to buy shoes with a little room for toes and heels, rather than a tight, perfect fit, for comfort. when worn with a pair of socks, these shoes would usually fit perfectly. without socks, these shoes can feel loose and thus, affect gait/movements (i believe this depends on the type of shoes).

based on some readings i've done, some of the common interpretations/themes of nanami's situation in this episode (oversimplified):

exploitation and abuse of girls and women via indoctrination of patriarchal norms that simply equate them to mere livestock; raised as subservient as a calf to then be slaughtered and reduced to a piece of meat to be consumed by men.

nanami was so blinded by the love she held for her big brother that she was willing to do anything to keep that love, to maintain her bond with him. she was willing to make a fool of herself, and ignore the ridicule and concerns from others. however, deep down, she was aware of how this could all go wrong and hurt her terribly later, and all of this could very much be orchestrated by her own beloved big brother. (i hope i worded these properly)

to relate the themes of the episode to the visuals of utena not wearing socks and her dialogues: in my opinion, i think utena calling out nanami on the cowbell puts utena in a somewhat uncomfortable position (hence, wearing shoes with no socks); it's akin to challenging detrimental societal norms of a patriarchal system. notable examples that come to mind regarding detrimental societal norms are fashion and beauty standards (as in this episode). people usually don't take too kindly to the safety of their realities and status quo being challenged/questioned critically, because these are what they have been raised with, what were taught to them, and what they have been made to believe to be right and true. therefore, the person who challenges/questions these is often ignored or triggers aggressive reactions, even from the individuals who have been detrimentally affected by the status quo, in this case, nanami. "the deeper the attachment to the status quo, the greater the willful blindness." this quote by clark (2023) from his writing about challenging one's organisation's status quo felt fitting for nanami's situation (although the case with nanami definitely requires more nuances than what the quote can present).

nanami said that utena's boy uniform was very weird (dialogues above) in response to utena calling nanami's cowbell weird (2nd picture). they perceived the other's pursuit as weird because it didn't align with their ideals (an adult's fashion sense versus a noble prince). these things weren't quite the same, in a literal sense: nanami essentially wore the cowbell to appeal to the students of the academy, to be an idol of the school, to stand out, be special. meanwhile, utena wore a boy's uniform to become a prince/emulate princely ideals. however, fundamentally, both did not truly understand (at this point, at least) what these truly entailed (to be the most special girl at school versus to be a prince).

when nanami said that utena's uniform was very weird, the focus was on chu chu drinking milk from a bottle. then, at the end of the argument, chu chu was shown to have been stuck in the milk bottle, after drinking the milk. these visuals may be indicating how nanami and utena's attempts at striving towards respective impossible ideals they envisioned for themselves may be self-fulfilling at first, but will eventually have them equally trapped and hurt, you know, something like "in the end, all girls are like rose brides." (i may be wrong here)

a look at other episodes: one may say that the shots where utena didn't wear her red socks were indeed animation errors based on this shot from episode 24:

however, this shot was from the scene of episode 16 as narrated by anthy based on what was written in tsuwabuki's diary. we can see this as tsuwabuki's perspective while the previous shots as the audience's perspective (this is how i chose to see it, at least).

watching through other episodes, utena also wasn't wearing her socks when her foot was injured in episode 30, throughout episode 33, and in episode 37 when utena went on a date with akio. i pondered the correlation between utena's sans red socks moments from episode 16 and those specific events. based on episode 12, i think one can conclude that the pair of red socks was a part in which utena expressed her sense of self (because it made up her whole outfit of emulating a prince). hence, i think that nanami's situation in this episode was also a foreshadowing of utena's future, in a way (this was also illustrated with the chu chu stuck in a milk bottle imagery after drinking the milk during their argument, as above). as described earlier, utena called out nanami twice on her cowbell; on the second time, utena thoroughly explained to nanami in japanese that a cowbell is a bell that cows wear, as in the dialogues below (the following scene after these dialogues was the 5th picture; 6th picture contained the corresponding dialogues):

i think it's safe to conclude that nanami may not know what the english word "cowbell" means. this was further emphasised by utena admonishing nanami for not knowing what a cowbell is all about (see the 6th picture). everyone around her called it "cowbell" and knew what it was (what the word meant). upon explanation by utena, nanami finally came to her senses (as in, turning into a cow). relating to utena's case in later episodes, i think this could be synonymous with the fact that utena was unaware that akio was actively grooming her. several people noticed the changes in utena due to akio's grooming: juri and miki in episode 36, where juri said that utena looked more like a girl; touga asking whether utena was in love with akio in the same episode. and of course, anthy was the most aware of what akio's doing to utena throughout.

the point detailed above regarding nanami's situation in episode 16 foreshadowing utena's future can be further supported by the fact that the cowbell and the earrings akio gifted to utena were closely identical in design (interesting to note that the cowbell was purchased by anthy for her cow named nanami while the earrings were picked by touga on behalf of akio).

from my understanding, nanami turning into a cow may be equivalent to utena accepting akio's proposal to be his bride, to take kanae's place. much like a calf raised to be slaughtered for consumption (nanami's dream), akio groomed utena to be his bride. and similar to how wearing shoes without socks can be uncomfortable, utena was evidently uncomfortable in these scenes as well (the worst being episode 33). in episode 30, utena's left foot was injured. akio offered to help her, then proceeded to kiss her. akio was grooming utena to be fully dependent on him. also, since the red socks were synonymous with her self-expression, these moments (episodes 30, 33, and 37) were when her true sense of self was gradually repressed through akio's grooming. utena not wearing the red socks during the most gut-wrenchingly blatant depictions of grooming and sexual assault ⟶ how grooming and abuse can ultimately strip you of your personhood and cultivate this cycle of dependence of victims on their groomers/abusers, not being able to stand on their own feet.

after nanami turned into a cow, utena tried, and succeeded, in taking off the cowbell from nanami. i think this would be analogous to utena rejecting akio's proposal.

nanami then turned back to her human self ⟶ utena wearing back her prince outfit.

to reiterate:

critiquing the status quo may induce harsh feedback even if it's done in good faith.

nanami's situation in this episode can be seen as a foreshadowing of utena's fate in later episodes.

[momentomori24]

Shadow, despite hating Nine with a passion, is the only person in this entire show that actually sees and understands him in any meaningful way. Sonic's attachment to Nine is based off his friendship with Tails and his inability to cope with the fact that his best friend is gone. In his eyes, Nine is just a gloomy, edgy version of Tails, not his own person with his own motives and desires. He's so used to him and Tails being on the same page, always having each other's back, that he didn't even bother to consider the fact that Nine and him would be any different, and his lapse in judgement is what lead to Ghost Hill being destroyed in the aftermath of Nine's betrayal.

Shadow repeats the sentiment ''they're not your real friends'' over and over in the show. Not only does he offer Sonic a mental out, a way to compartmentalize and stick to their priorities without any regrets weighing him down, it also rings very true to every character Sonic has met thus far. Rebel isn't Rouge, Renegade isn't Knuckles, Thorn isn't Amy and Nine isn't Tails. They're only pieces of their original's personality formed and twisted into their own people with their own lives and their own names. They're similar, but distinctly different, complete strangers in all but appearance. Sonic undoubtably cares about Nine and the others, but that care is built on an illusion, and Shadow recognized that immediately. And for me that's the most ironic and sensible part of it all. That it's Shadow of all people recognizing that so quickly. Shadow, the guy with a history of identity issues plagueing his legacy. Shadow, the guy who cares the least about these other people and made Sonic eat dirt for an entire episode just to sacrifice them one season ago.

And it makes sense. Because he knows first hand how difficult it is to seperate the past from the present, walking the line between being a protector and being a destroyer, his own person or just a weapon and existing as an entity for others to project on until he finally figured himself out on his own, he's able to sniff out Nine's confusion and resentment of Tails from his line ''This is the friend Sonic thought was like me? We're nothing alike'' when they encountered his ghost form before Sonic ever did. And because he doesn't care for him, he never associates him with Tails, giving him the ability to see Nine for who he really is. And Nine's troubled, selfish and volatile, and not to be trusted because his goals never aligned with theirs. He's everything Tails isn't, and that's why Sonic never acknowledged those traits. But Shadow sees Nine, and that's why he was so quick to distrust him.

It's also why he could easily deduce what the motive behind his actions were. Power. It's a motive he can certainly relate to. Something he can understand, but Sonic cannot (bless his heart). It was his driving force for the entirety of SA2. What he was after was the power of the Chaos Emeralds to inact Professor Gerald's revenge on the planet and was he believed to be Maria's dying wish, just like how Nine searches for power to create a paradise where he can live the life he always wanted surrounded by ''friends'' he never had. Both of them didn't think about the damage they caused or those they betrayed in that pursuit because they never factored into the equation in the first place. It's about power to achieve self-fulfilment, and what a broken, lonely, destructive and misguided guy seen by nobody and isolated by everybody will do to see it all through to the end.

Nine and Shadow can relate to each other. They can understand each other. They're can be on the same page when it comes to figuring out what the other person is plotting from eye contact alone (like Shadow immediately realising that Nine was going to use Sonic as his energy source). What Shadow wants from Sonic is to be heard, and what Nine wanted from Sonic was to be seen, and what they can't recieve from him they can give to each other. They're similar, they're compatible, they're both attached to Sonic despite acting otherwise and their mindsets are identical-- and that's exactly why they will never be friends.

[danishphoner]

one thing that really fascinates me about alex is his devotion to art – and more specifically, how he chooses to get some inspiration from scientific works of what he aims to implement in his art. every time one gets to examine some of his lyrics, or even how he explains these lyrics in an interview, they can be greeted by some bits of actual scientific information. an example is how he named his taquería on the moon with the term “information-action ratio”, coined by the critic neil postman, and referenced it in the song four out of five, something that might also indicate an interesting articulation with postman's concept. the line “cute new places keep on popping up”, for example, can express his well-known sardonic discontent regarding the flood of information being generated and transmitted over and over and, as much as it seems visually appealing and does give the idea of benefiting from advanced technologies, it doesn't really add anything substantial to the receiver's critical thinking – and worse, it distances the information receiver from the sender in a communication channel, according to postman.

what i'm saying with this interpretation is, it's known that alex is enamoured with the idea of gathering a bunch of references and condensing them into a mixture of metaphors in his writing, but it's so thrilling how, at times, we can find some bits of science inside of it – and it's even more exciting, just like playing a puzzle game, to find these references and analyse them by doing a similar research to what he did to create his works.

[pikopiikko]

feeling hopeful again that dorym isn't doomed cause even tho they are on opposite ends of support, they will talk knowing liam and his great job at heart to hearts and also despite the tension robbie still played dorian as having tunnel vision for orym during the whole delaudna fight.

the characters feel tense and unsure but the players i believe in

[longmaxsilvarg]

something about max being dressed in lighter colors at the beginning of the game vs her almost being dressed in all black / just straight up dark colors near the end just scratches my brain so good

[crow-eyed]

It stating the obvious to say that Kon's design in Superboy: The Man of Tomorrow is a throw back to his 90's look. But! What I have not seen much appreciation for was how similar his face and expressions are!

The expression that really got me was this smile:

Which in context is one he pulls on after a momentary break in his jokey- everything's great and nothings serious- persona.

And looks super similar to this smile he pulls on in issue 9 of Superboy 94' after he's unable to joke his way though a horrifying situation.

I could very well be reading too much into things here but I feel like there's a deeper through line to 90's Kon then just an outfit change when it comes to his visual depiction.

Kon has been drawn by multiple artists but the og team from trouble in paradise (also parts of reign of the supermen) Grummett, Hazlewood, McCraw and my fav guests Ramos, Parks (responsible for issue 9 and more) are what I'm most familiar with.

For these comparisons I don't have as specific a parallel in terms of Kon's reactions but more an appreciation of his face the likeness.

The art in this book is just fantastic all round, Lindsay did a phenomenal job- this is just one aspect of it that I felt the need to point out.

[kazzettes]

Ladybug Week 2023 Day 1, Oct. 23rd: College AU

With a Freezerburn guest appearance.

This one's for all my fellow Ladybug fans. (All, like, 2 of them).

When I sat down to draw this my brain went on a tangent and created its own full-on fanfiction, lol.

Basically, Ruby is this super talented freshman in the engineering department who's been gaining the attention of all the professors since she enrolled. She singlehandedly became the lead of the Science and Technology committee, which both she and her buddy Penny attend.

Yang is on a sport scholarship and is part of the Volleyball team together with Blake. She and her buddy Pyrrha are the aces of the team. She's very talented at the sport despite not seeming to have any aspirations to pursue it as a career…? Like Ruby she's also enrolled in engineering.

Blake is the Visa student- her parents saved money their entire lives to send her to a good university in a first world country. She joined the volleyball team with the goal to save money with a scholarship, but ended up enjoying being part of the team. She's chronically broke and isn't legally allowed to work due to her Visa status, but her buddy Sun hooks her up with some shady jobs that she takes from time to time to earn some cash. She met Ruby through Yang, who started inviting her out for lunch to discuss their shared favorite books series. Blake only agreed at first for the free food but eventually ended up enjoying and seeking out Ruby's company.

Weiss is this turbo-preppy model student and the president of the Student Organization's Committees. She had some friction with Ruby at first due to their clashing personalities but they eventually grew to respect each other. She met Yang through Ruby and was immediately smitten. She's suspicious of Blake and thinks she and her buddy Sun are bad influences on Ruby.

[leejeann]

(another post about epic sorry) LOVED how during Athena traveling through Odysseus's memory the snippets of previous songs were snapping between them, compared to other points where songs musically recap something. Like in Keep Your Friends Close or The Underworld we get a bunch of quick callbacks but they blend into each other and fit together. Like they're reliving the thing they experienced and feeling it

Meanwhile in Love in Paradise, Athena is watching everything secondhand and years after it happened with the goal of figuring out where he ended up rather than where he'd been in the meantime. So it's just quick and jarring while she searches until she finally gets to the part that matters. It doesn't need to flow together like the other songs, it just needs to get to the end